“I attest to having fallen completely under the spell of the sights and sounds of the Grand Teton Music Festival and of this natural paradise. I return to Jackson and am restored and renewed.”
Over the course of a career spanning 45 years, Sir Donald Runnicles has built his reputation on enduring relationships with major symphonic and operatic institutions. Focusing on depth over breadth, he has held chief artistic leadership positions at the Grand Teton Music Festival (since 2005), Deutsche Oper Berlin (since 2009), San Francisco Opera (1992-2008), BBC Scottish Symphony Orchestra (2009-16), and Orchestra of St. Luke’s (2001-07). Sir Donald was also Principal Guest Conductor of the Atlanta Symphony Orchestra for more than two decades (2001-23), and he is the first ever Principal Guest Conductor of the Sydney Symphony Orchestra (since 2019). In February 2024, Runnicles was appointed as Chief Conductor of the Dresden Philharmonic, which will begin with the 2025-26 season.
Known as a consummate Wagnerian and conductor of German Romantic repertoire, Maestro Runnicles leads the DOB this season in a new production of the Richard Strauss rarity, Intermezzo, with regie of Tobias Kratzer, as well as revival performances of Parsifal and two full cycles of Wagner’s Ring des Nibelungen cycle. At the Metropolitan Opera, he conducted eight performances of the Otto Schenk production of Tannhäuser. Other 2023-24 appearances included the Dresden Philharmonic, Dallas Symphony, Cincinnati Symphony, and Utah Symphony, where he led the world premiere of a new concerto written and performed by Sir Stephen Hough.
Runnicles spends his summers at the Grand Teton Music Festival in Jackson, WY. This eight-week festival of symphonic and chamber music, five of which are programmed, planned, and conducted by Runnicles as Music Director, takes place amid the breathtaking beauty of Grand Teton National Park. Summer 2024 GTMF festival highlights include a semi-staged Magic Flute, concerts with Augustin Hadelich and Yo-Yo Ma, and two Fifth Symphonies by Mahler and Vaughan Williams.
Runnicles’ 2024-25 season opens with a 70th Birthday celebratory concert closing the Edinburgh Festival – Bruckner 9th Symphony – after which he opens the Dresden Philharmonic season and then continues to Berlin for a concert with the Deutsche Oper Berlin Orchester as part of the Berlin Festival. Runnicles’ DOB 2024-25 season includes a new production of Richard Strauss’ Die Frau Ohne Schatten and revivals of the Zemlinsky one-act Der Zwerg (The Dwarf), Arabella, Intermezzo, Tristan und Isolde, and Verdi’s Don Carlo. He returns twice to Sydney Symphony over the course of the season and makes guest appearances in Chicago, Houston, Pittsburgh, Detroit and Cincinnati.
Runnicles tours regularly with the DOB to destinations such as the Edinburgh International Festival, London Proms, Royal Opera Oman and Dubai. He has joined the Philadelphia Orchestra in tours to China, summer residencies at Bravo! Vail Music Festival in Colorado, and annual subscription concerts. A frequent guest conductor with the Chicago Symphony, Runnicles’ performance history dates back to 1997. Over a decade-long relationship with the Vienna State Opera, he led new productions of Parsifal, Britten’s Billy Budd and Peter Grimes, as well as core repertoire pieces.
Runnicles’ extensive discography includes recordings of Wagner’s Tristan and Isolde, Mozart’s Requiem, Orff’s Carmina Burana, Britten’s Billy Budd, Humperdinck’s Hansel and Gretel, Bellini’s I Capuleti e i Montecchi, and Aribert Reimann’s L’invisible. His recording of Wagner arias with Jonas Kaufmann and the Orchestra of the Deutsche Oper Berlin won the 2013 Gramophone prize for Best Vocal Recording, and his recording of Janáček’s Jenůfa with the Orchestra and Chorus of the Deutsche Oper Berlin was nominated for a 2016 GRAMMY award for Best Opera Recording.
Sir Donald Runnicles was born and raised in Edinburgh, Scotland. He was appointed OBE in 2004 and was made a Knight Bachelor in 2020. He holds honorary degrees from the University of Edinburgh, the Royal Scottish Academy of Music and Drama, and the San Francisco Conservatory of Music.