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Autumn sunrise through cottonwood trees at Schwabacher's Landing Grand Teton National Park Wyoming

Most people, even youngsters, know the broad strokes of “Hänsel und Gretel,” the fairy tale first published in 1812 by the Brothers Grimm: Sent into the forest by their mother to forage, the siblings get lost. Coming upon a house made of gingerbread, cakes and candy, they start to nibble at it and are trapped by the owner, a witch with a penchant for kid-flesh. Working together, however, they outsmart her and are happily reunited with their relieved parents.

But in the 1890s, German composer Engelbert Humperdinck (1854-1921) brought the tale to vibrant life with a tuneful opera that has become a staple of the repertoire.

The Grand Teton Music Festival concludes its 64th season this weekend with a staging of Humperdinck’s action- and melody-packed work, with Music Director Sir Donald Runnicles leading the Festival Orchestra, a cast of six acclaimed voices from the opera world, and the Choristers of the Madeleine Choir School from Salt Lake City.

For the fifth year, peripatetic stage director David Lefkowich — who has realized productions for the Metropolitan Opera, San Francisco Opera, La Scala, and in cities throughout North America, from Anchorage, Alaska, to Louisville, Kentucky — was charged with all of the theatrical aspects of this increasingly popular annual spectacle.

“He’s so good at figuring out a way to do a lot in a very short amount of time,” Emma Kail, GTMF’s executive director, said. Art, crew, orchestra and staff stuffed a month’s worth of work into a mere week in Jackson to pull together a full operatic experience that lacks nothing.

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